Sunday, November 20, 2011

Covers

Hey everyone. And by everyone I mean those few people who actually read this damn thing. And by few people that read this damn thing I mean that guy who was just randomly searching for a band I mentioned on the internet and found my blog and said "Heh, that's cool" before moving onto the next website and not bookmarking me. That bastard.

But it's really no big deal. This is kind of a way for me to channel my thoughts for awhile and do something creative in my set-in-stone life. It's nice to be able to express myself through a means that really is different from the everyday routine. Yet by allowing myself this it also creates a bit of an expectation. An expectation to actually make myself to sit down and write something new and fresh every week so that I can keep my readers entertained. And by readers I mean myself and that bastard.

I guess it's the same way for bands. At the beginning it's fun, a way to express themselves and let loose. Spread a message and share feelings. Yet everytime they are forced to go back to the drawing board to write some fresh material, it gets harder and harder. This creates an interesting gap between musical passion and it actually being their "job". Then something frightening starts to occur, because when that passion is lost, there are times where the uniqueness and thrill of the music starts to go with it.

It's a wonder that more bands haven't tried covering things. It satisfies the fans of the band by giving them more material to salivate over, as well as giving the band themselves the new perspective of taking something already established and changing it around enough to make it something truly their own. It's a new challenge that can hopefully open the eyes to see what others have done in the past, as well as possibly breaking through barriers that had been pigeonholing a band into a certain genre. This is the sort of progression that bands need to see to stay relevant, as well as keep from becoming stuck in a routine.

If a cover is done right, the song should become a completely seperate entity. For example, when Johnny Cash did a cover of Nine Inch Nail's song "Hurt", people began to forget that it was even a cover at all, some going even as far to as claiming falsly that NIN's version was actually the cover. Then of course Christian hard rocker's RED covered "Ordinary World", the classic from Duran Duran, and brought in a sadness that wasn't really prevalent in the original, while still keeping close enough to its roots as to not forget them.

Some songs were just made to be covered over and over again. Hallelujah by Leonard Cohen has been covered by hundreds of artists over the years (most famously by Jeff Buckley), and has stood the test of time as one of the greatest songs ever written. This version is done acousticly by Alter Bridge's lead singer Myles Kennedy, and is my personal favorite.


Remixes are another thing entirely. I was never sold on them until recently, when Radiohead offered up their entire new LP to electronic artists to be remixed as they pleased. The results were astounding. I recently discovered that a song from last week's blog post was remixed by Polaris at Noon, to astounding results.


Are there any covers you guys adore? As always, please feel free to share anything with me as I would love to have any feedback at all. I'm on twitter @calebuseswords and feel free to add me on facebook. Oh, and if that bastard comes back, f#$%ing bookmark me.

Saturday, November 12, 2011

Use Your Words

Back again. No need to explain absence, seeing as it was as a result of laziness more then anything. So recently I made a twitter (follow me if you like @calebuseswords), and I noticed that I could include a blog/website in my biographical info. Thus, I'm back here and hoping to be around for awhile. My first post in my great return will be the first in a series of excursions into the land of lyrics. I'm gonna call it Use Your Words.

First, I'll talk about man I've been whoring out for the past couple of weeks who mixes brutal honesty with subtle imagery in a way I really didn't think was possible. Hailing from Australia (another great Australian!), Paul Dempsey is the lead singer of a band called Something about Kate, and has also released a rather successful solo effort. Each song on his debut LP is tremendously well-written, but there are just some moments that stick out far above the rest. One of my favorites is from the debut single from the album, that blatantly spells out emotions we've all felt at one time or another.

"Cause I know no quicker way, dear
To the shiny gates of hell
Than a room full of handsome devils
Comparing everything to everything else

They just keep coming on
Like a driverless train
I can think of nothing adorable to say
It's half past the hour, looks like rain
Do you like me? Can I go now?"


Of course, it's not always about emotion. Sometimes bands like to tell a story. With lyrics typically resembling poetry, La Dispute has some of the greatest single song stories of the last several years. With the release of their most recent LP Wildlife, La Dispute has added several of these such songs to their repetoire, and none is more abrasive and jarring then the epic King Park. It tells the story of a drive by shooting gone horribly tragic when the gunman misses his mark and hits an innocent bystander. The climax of the song sends chills down my spine every damn time I hear it.

"Can I still get into heaven if I kill myself?
Can I still get into heaven if I kill myself?
Can I ever be forgiven cuz I killed that kid?
It was an accident I swear it wasn't meant for him!
And if I turn it on me, if I even it out, can I still get in or will they
Send me to hell?
Can I still get into heaven if I kill myself?"


Last but not least is Thrice. Thrice has always been terrific with their songwriting, and Major/Minor was no exception. The standout track, Words in the Water, speaks in a metaphor of being drowned under the weight of something bigger then yourself. Upon the resolution of the narrator's perdicament, he details the feelings of the removal of his strife.

"I felt white and black reverse
And the lifting of a curse from my heart
Then like one receiving sight
I beheld a brilliant light in the dark"